Yorgos Lanthimos' 'Poor Things' Sparks Debate on Societal Norms and Human Nature
Greek director Yorgos Lanthimos' latest film, 'Poor Things', has sparked debate about societal norms and human nature. The movie, starring Emma Stone as Bella Hadid, has drawn attention from critics like Adria Arjona, a multi-talented artist who penned an article titled 'Bella Hadid or woke modernity' for Evangelical Focus and Screens.
In 'Poor Things', Bella's body is that of a young woman, but her intellect is that of an adult, leading to a struggle to find her place in the world. Arjona praises the film for its unconventional protagonist, a theme also seen in recent neo-feminist films like 'Barbie'.
The film's story echoes Mary Shelley's classic 'Frankenstein', written over 200 years ago in response to a challenge to craft the best horror tale. Both works explore the consequences of defying societal norms and expectations.
Lanthimos, known for his provocative films, aims to highlight the animalistic aspects of humanity in 'Poor Things'. The film suggests that embracing carnal desires and pleasures is the only vital motivation, presenting this alongside the poor creature's brain. Two key moments in the film, Bella's awakening and her discovery of a homeless settlement, represent human attributes and empathy.
With 'Poor Things', Lanthimos continues to push boundaries and provoke thought. The film, like Shelley's 'Frankenstein', invites reflection on the ethical boundaries of science and the relationship between creators and their creations. Arjona's article, published in Evangelical Focus and Screens, is a testament to the film's impact and its role in ongoing discussions about societal norms and human nature.
